MP3 Music Downloads

OK Computer by Radiohead (1977)

admin — Fri, 23 Apr 2010 15:26:03 +0000

Radiohead seamlessly merges divergent electronica with rock riffs and melodic interludes, inspiring the listener to be uplifted and reflective in equal measure. Their career highlight, 1997′s OK Computer, has been nominated as one of the greatest albums of the last 20 years.

OK Computer is the third album by the English alternative rock band Radiohead, released on 16 June 1997. Radiohead recorded the album in rural Oxfordshire and Bath, during 1996 and early 1997, with producer Nigel Godrich. Although most of the music is dominated by guitar, OK Computer’s expansive sound and wide range of influences set it apart from many of the Britpop and alternative rock bands popular at the time, and it laid the groundwork for Radiohead’s later, more experimental work. Radiohead do not consider OK Computer a concept album; however, its lyrics and visual artwork emphasise common themes such as consumerism, social disconnection, political stagnation, and modern malaise.

OK Computer reached number-one on the UK Albums Chart and marked Radiohead’s highest entry into the American market at the time, debuting at number 21 on the Billboard 200. The album expanded the band’s worldwide popularity, and has been certified triple platinum in the UK and Canada, double platinum in the US and platinum in Australia. OK Computer received considerable acclaim at the time of its release, and has been listed by music critics and listener polls as one of the greatest albums ever recorded.

Track listing

All songs written by Thom Yorke, Jonny Greenwood, Ed O’Brien, Colin Greenwood, and Phil Selway.

1. “Airbag” – 4:44
2. “Paranoid Android” – 6:23
3. “Subterranean Homesick Alien” – 4:27
4. “Exit Music (For a Film)” – 4:24
5. “Let Down” – 4:59
6. “Karma Police” – 4:21
7. “Fitter Happier” – 1:57
8. “Electioneering” – 3:50
9. “Climbing Up the Walls” – 4:45
10. “No Surprises” – 3:48
11. “Lucky” – 4:19
12. “The Tourist” – 5:24

Spin’s Top 100 albums from 1985-2005

admin — Fri, 23 Apr 2010 14:59:19 +0000

Each album on the list finds a sweet spot between artistic brilliance, stylistic innovation, and cultural relevance. You could listen to the Smiths’ The Queen Is Dead hiding under a pillow fort in your bedroom (as Morrissey would no doubt prefer), or it could blow your mind in a crowded bar. Why? Because it pushes a unique vision from the margins to the mainstream (or the margins of the mainstream), reshaping both. Until someone new (a Wu-Tang Clan or White Stripes) emerges to redraw the margins all over again. These records tell us something different with every listen; even at their tiniest, they make private epiphanies feel like public events.

Spin 100 Albums 001-100

001. OK Computer by Radiohead (1997)

002. It Takes a Nation of Millions to Hold Us Back by Public Enemy (1988)

003. Nevermind by Nirvana (1991)

004. Slanted and Enchanted by Pavement (1992)

005. The Queen is Dead by The Smiths (1986)

006. Surfer Rosa by The Pixies (1988)

007. 3 Feet High and Rising by De La Soul (1989)

008. Sign O the Times by Prince (1987)

009. Rid of Me by PJ Harvey (1993)

010. Straight Outta Compton by N.W.A. (1988)

011. Achtung Baby by U2 (1991)

012. Paul’s Boutique by The Beastie Boys (1989)

013. New Day Rising by Hüsker Dü (1985)

014. Daydream Nation by Sonic Youth (1988)

015. Exile in Guyville by Liz Phair (1993)

016. Odelay by Beck (1996)

017. Illmatic by NAS (1994)

018. Appetite for Destruction by Guns n’ Roses (1987)

019. Live Through This by Hole (1994)

020. Enter the Wu-Tang (36 Chambers) by The Wu-Tang Clan (1993)

021. Fear of a Black Planet by Public Enemy (1990)

022. Loveless by My Bloody Valentine (1991)

023. Stankonia by OutKast (2000)

024. Dig Me Out by Sleater-Kinney (1997)

025. The Downward Spiral by Nine Inch Nails (1994)

026. Post by Björk (1995)

027. The Head on the Door by The Cure (1985)

028. Definitely Maybe by Oasis (1994)

029. 13 Songs by Fugazi (1989)

030. Ready to Die by The Notorious B.I.G. (1994)

031. You’re Living All Over Me by Dinosaur Jr. (1987)

032. Tim by The Replacements (1985)

033. AmeriKKKa’s Most Wanted by Ice Cube (1990)

034. Either/Or by Elliott Smith (1997)

035. The Chronic by Dr. Dre (1992)

036. Doolittle by The Pixies (1989)

037. Bee Thousand by Guided by Voices (1994)

038. The Low End Theory by A Tribe Called Quest (1991)

039. Lucinda Williams by Lucinda Williams (1988)

040. Raising Hell by Run-D.M.C. (1986)

041. Siamese Dream by The Smashing Pumpkins (1993)

042. Nothing’s Shocking by Jane’s Addiction (1988)

043. Criminal Minded by Boogie Down Productions (1987)

044. Dookie by Green Day (1994)

045. College Dropout by Kanye West (2004)

046. The Nation’s Saving Grace by The Fall (1985)

047. Paid in Full by Eric B. & Rakim (1987)

048. Kid A by Radiohead (2000)

049. The Miseducation of Lauryn Hill by Lauryn Hill (1998)

050. Low-Life by New Order (1985)

051. In Utero by Nirvana (1993)

052. Licenced to Ill by The Beastie Boys (1986)

053. The Battle of Los Angeles by Rage Against the Machine (1999)

054. Last Splash by The Breeders (1993)

055. Dig Your Own Hole by The Chemical Brothers (1997)

056. To Bring You My Love by PJ Harvey (1995)

057. White Blood Cells by The White Stripes (2001)

058. Master of Puppets by Metallica (1986)

059. The Lonesome Crowded West by Modest Mouse (1997)

060. De La Soul Is Dead by De La Soul (1991)

061. Pinkerton by Weezer (1996)

062. Supa Dupa Fly by Missy Elliott (1997)

063. Crooked Rain, Crooked Rain: L.A.’s Desert Origins by Pavement (1994)

064. The Marshall Mathers LP by Eminem (2000)

065. Remedy by Basement Jaxx (1999)

066. Aquemini by OutKast (1998)

067. Reign in Blood by Slayer (1986)

068. Maxinquaye by Tricky (1995)

069. Endtroducing DJ Shadow by DJ Shadow (1996)

070. The Blueprint by Jay-Z (2001)

071. Psychocandy by The Jesus and Mary Chain (1985)

072. Only Built 4 Cuban Linx by Raekwon (1995)

073. Different Class by Pulp (1995)

074. Dummy by Portishead (1994)

075. Le Tigre by Le Tigre (1999)

076. If You’re Feeling Sinister by Belle and Sebastian (1997)

077. Yankee Hotel Foxtrot by Wilco (2002)

078. The Stone Roses by The Stone Roses (1989)

079. Everything is Wrong by Moby (1995)

080. Voodoo by D’Angelo (2000)

081. Mellow Gold by Beck (1994)

082. Grace by Jeff Buckley (1994)

083. Relationship of Command by At The Drive-In (2000)

084. Superunknown by Soundgarden (1994)

085. Automatic for the People by R.E.M. (1992)

086. Up on the Sun by The Meat Puppets (1985)

087. Parklife by Blur (1994)

088. Emperor Tomato Ketchup by Stereolab (1996)

089. Fever to Tell by The Yeah Yeah Yeahs (2003)

090. Sister by Sonic Youth (1987)

091. Skylarking by XTC (1986)

092. Atomizer by Big Black (1986)

093. Ten by Pearl Jam (1991)

094. Spiderland by Slint (1991)

095. Elastica by Elastica (1995)

096. Rum, Sodomy & the Lash by The Pogues (1985)

097. In the Aeroplane Over the Sea by Neutral Milk Hotel (1998)

098. When I Was Born for the 7th Time by Cornershop (1997)

099. Gentlemen by The Afghan Whigs (1993)

100. Is This It by The Strokes (2001)

MUSIC VIDEO: LADY GAGA – “TELEPHONE” FT. BEYONCE

admin — Mon, 15 Mar 2010 13:26:07 +0000

Lady Gaga hook-up in an electro dance track called Telephone with Beyonce Knowles for her forthcoming mini album The Fame Monster to be released on November 24, 2009. The song was produce by a music maker Rodney “Darkchild” Jerkins

Lady Gaga – Telephone Lyrics and Video :

[Lady Gaga]
Hello, hello, baby
You called, I can’t hear a thing.
I have got no service
in the club, you see, see
Wha-Wha-What did you say?
Oh, you’re breaking up on me
Sorry, I cannot hear you,
I’m kinda busy.

K-kinda busy
K-kinda busy
Sorry, I cannot hear you, I’m kinda busy.

Just a second,
it’s my favorite song they’re gonna play
And I cannot text you with
a drink in my hand, eh
You shoulda made some plans with me,
you knew that I was free.
And now you won’t stop calling me;
I’m kinda busy.

Stop callin’, stop callin’,
I don’t wanna think anymore!
I left my hand and my heart on the dance floor.
Stop callin’, stop callin’,
I don’t wanna talk anymore!
I left my hand and my heart on the dance floor.

Eh, eh, eh, eh, eh, eh, eh, eh, eh
Stop telephonin’ me!
Eh, eh, eh, eh, eh, eh, eh, eh, eh
I’m busy!
Eh, eh, eh, eh, eh, eh, eh, eh, eh
Stop telephonin’ me!
Eh, eh, eh, eh, eh, eh, eh, eh, eh

Can call all you want,
but there’s no one home,
and you’re not gonna reach my telephone!
Out in the club,
and I’m sippin’ that bub,
and you’re not gonna reach my telephone!

Call when you want,
but there’s no one home,
and you’re not gonna reach my telephone!
Out in the club,
and I’m sippin’ that bub,
and you’re not gonna reach my telephone!

[Beyonce]
Boy, the way you blowin’ up my phone
won’t make me leave no faster.
Put my coat on faster,
leave my girls no faster.
I shoulda left my phone at home,
’cause this is a disaster!
Callin’ like a collector -
sorry, I cannot answer!

Not that I don’t like you,
I’m just at a party.
And I am sick and tired
of my phone r-ringing.
Sometimes I feel like
I live in Grand Central Station.
Tonight I’m not takin’ no calls,
’cause I’ll be dancin’.

‘Cause I’ll be dancin’
‘Cause I’ll be dancin’
Tonight I’m not takin’ no calls, ’cause I’ll be dancin’!

Eh, eh, eh, eh, eh, eh, eh, eh, eh
Stop telephonin’ me!
Eh, eh, eh, eh, eh, eh, eh, eh, eh
I’m busy!
Eh, eh, eh, eh, eh, eh, eh, eh, eh
Stop telephonin’ me!
Eh, eh, eh, eh, eh, eh, eh, eh, eh

Can call all you want,
but there’s no one home,
you’re not gonna reach my telephone!
‘Cause I’m out in the club,
and I’m sippin’ that bub,
and you’re not gonna reach my telephone!

Call when you want,
but there’s no one home,
and you’re not gonna reach my telephone!
‘Cause I’m out in the club,
and I’m sippin’ that bub,
and you’re not gonna reach my telephone!

My telephone!
M-m-my telephone!
‘Cause I’m out in the club,
and I’m sippin’ that bub,
and you’re not gonna reach my telephone!

We’re sorry the number you have reached is not in service at this time.
Please check the number, or try your call again

Justin Timberlake

admin — Mon, 07 Dec 2009 21:30:34 +0000

born January 31, 1981

Justin Timberlake is an American pop musician and actor. He has won six Grammy Awards as well as two Emmy Awards. He got his big break when he appeared as a contestant on Star Search, and went on to star in the Disney Channel television series The New Mickey Mouse Club, where he met future bandmate JC Chasez. Timberlake became famous in the late 1990s as the lead singer of the boy band ‘N Sync, whose launch was financed by Lou Pearlman.

As both a member of NSYNC and a solo artist, Southern superstar Justin Timberlake has played a major role in the teen pop explosion of the ’90s and 2000s. Like similar teen pop favorites — who have included the Backstreet Boys, C-Note, Christina Aguilera, Hanson, the Spice Girls, and Britney Spears — Timberlake usually doesn’t get much respect from rock critics (who, in many cases, tend to be very alternative-minded and anti-commercialistic). Regardless, he is adored by millions of fans, many of whom have been adolescent girls. Over the years, the teen market has had a lot of different sounds. In the ’70s, for example, artists like Donny Osmond, the Partridge Family, David Cassidy, and the DeFranco Family were aimed at teens — those were the bubblegum popsters one typically read about in Tiger Beat magazine back then. But Timberlake is part of the more modern school of teen pop, which is mindful of dance-pop, urban contemporary, and hip-hop and got started with the rise of New Kids on the Block, Debbie Gibson, and Tiffany in the late ’80s. New Kids, in fact, were the male group that paved the way for NSYNC as well as the Backstreet Boys and Take That (who were meant to be a British equivalent of New Kids). And just as Tiger Beat (the bible of bubblegum) was obsessed with the New Kids in the late ’80s, it would become equally obsessed with NSYNC and the Backstreet Boys in the ’90s.

Like Spears (who Timberlake became romantically involved with), Aguilera, and NSYNC’s JC Chasez, Timberlake got his start on the Disney Channel’s ’90s version of The Mickey Mouse Club. Timberlake and Chasez were on The Mickey Mouse Club simultaneously in their pre-NSYNC days, and they kept working together when NSYNC was formed. NSYNC got started in Orlando, FL, in 1996, when Timberlake and Chasez teamed up with Lance Bass, Chris Kirkpatrick, and Joey Fatone. Released by RCA/BMG in 1998, the vocal quintet’s self-titled debut album sold millions of copies in both the United States and Europe and contained the smash hits “I Want You Back” and “Tearing Up My Heart.” NSYNC’s second album, No Strings Attached, was released on Jive in 2000 and was even more commercially successful; No Strings Attached went double platinum in only one week, and the singles “Bye Bye Bye” and “This I Promise You” became major hits.

Jive released Celebrity, NSYNC’s third album, in 2001, and after that, Timberlake started recording as a solo artist. The singer had performed live as a solo artist before NSYNC, but it wasn’t until the early 2000s that he actually recorded an album as a solo act. Justified, Timberlake’s first solo album, was released on Jive in November 2002. “Like I Love You,” the album’s first single, became a major hit and was followed by a second single, “Cry Me a River” (not to be confused with the melancholy Arthur Hamilton standard that was a hit for the late jazz singer/actress Julie London in 1955). Now a bona fide star — the album had reached number two on the Billboard 200 — and heartthrob to millions of girls,Timberlake continued his success by appearing on the Black Eyed Peas smash hit “Where Is the Love?” and in the halftime show at Super Bowl XXXVIII, where he pulled off part of co-performer Janet Jackson’s top in the now infamous “wardrobe malfunction” incident. That event, however, didn’t stop him from winning two Grammys that year, and though he stayed out of the studio for a few years in order to concentrate on acting opportunities, Timberlake returned to the music world in 2006 with his Prince-inspired FutureSex/LoveSounds, which featured production work from Timbaland and Rick Rubin, and was followed by a brief club tour. ~ Alex Henderson, All Music Guide

Bestsellers in Dance & DJ

admin — Mon, 07 Dec 2009 21:13:21 +0000

TopTen REVIEWS list of the best Dance & DJ music albums

Bestselling Songs of 2009

admin — Mon, 07 Dec 2009 18:28:40 +0000

Boom Boom Pow

Beyoncé Wins Video Of The Year

admin — Wed, 02 Dec 2009 12:39:10 +0000

Beyonce’s “Single Ladies” picks up “Video of the Year” at the 2009 MTV VMAs, beating out Britney Spears, Eminem, Kanye West and Lady Gaga.

The 28-year-old singer said, “Thank you. I remember being 17-years-old, up for my first MTV Award with Destiny’s Child and it was one of the most exciting moments in my life. So I’d like Taylor Swift to come out and have her moment.” How thoughtful of Beyonce!!!

Taylor finally got her time in the spotlight, saying, “I’d like to thank all the fans on Twitter and MySpace and everyone who came out to my shows this summer. Thank you so much!”

Taylor and Beyonce hugged both before and after Taylor’s speech.

Earlier in the evening, Kanye West stole Taylor’s thunder by interrupting her acceptance speech to praise Beyonce.

P!nk

admin — Mon, 04 May 2009 10:01:01 +0000

Birthdate: September 8th, 1979

P!nk

Alecia Beth Moore who performs under the stage name Pink, or P!nk, is a two-time Grammy-winning American actress and singer-songwriter who gained prominence in 2000, has had continued success around the world, and to date has sold over 30 million albums worldwide. She released her first single “There You Go” and first album, the R&B-oriented Can’t Take Me Home, in 2000 via LaFace Records, which garnered commercial success.

Her more pop rock-oriented second studio album, Missundaztood, was released in 2001 and is her biggest seller to date. Featuring the hits “Get The Party Started,” “Just Like a Pill,” and “Don’t Let Me Get Me,” it began a marked shift in the sound of her music. Pink soon followed up with her third album, Try This. It was met with disappointing sales upon its release in November 2003, although critically the album received mostly positive praise. After a brief break from music, Pink returned in April 2006 with her fourth album, I’m Not Dead.

Initially upon its release I’m Not Dead, like her previous album, critically received mostly good reviews, but quickly fell off the charts. Pink’s career was revived in 2007 when the success of “U + Ur Hand” and “Who Knew” caused a resurgence of commercial success of I’m Not Dead.

Her fifth album, Funhouse was released in late October 2008 and was preceded by her first solo number one on the Hot 100, “So What“. Since its release in October, Funhouse has been certified platinum in the U.S. and sold over 3.5 million worldwide. The second single from the album, “Sober” has also become a U.S. Top 20 hit, peaking at number 15 on the Hot 100 making Funhouse Pink’s first album since Missundaztood to have its first two successive singles peak in the Top 20 of the Billboard Hot 100.

taken from: wikipedia.org

Pink (Explicit)

admin — Mon, 04 May 2009 09:15:30 +0000

P!nk Funhouse /Explicit Version/.

P!nk comes right on time in 2008 with her highly anticipated and provocatively personal Funhouse album, addressing both her public and private persona, as only P!nk can. Teaming once again with hitmakers Max Martin, Billy Mann, and others, P!nk is poised to leave another memorable mark worldwide! Since her debut in 2000, P!nk (Alecia Moore) has been widely hailed as a fearlessly talented singer, songwriter and the Pennsylvania native’s genre-defying creative risk-taking has propelled her to global stardom. To date, the chanteuse has sold 22 million albums cumulatively worldwide. 12 tracks.

Beyonce : Halo Lyrics

admin — Sat, 02 May 2009 11:02:59 +0000

Beyonce Halo lyrics

Songwriters: Bogart, Evan Kidd; Knowles, Beyonce Gisselle; Tedder, Ryan Benjamin;

Remember those walls I built
Well baby they’re tumbling down
And they didn’t even put up a fight
They didn’t even make a sound
I found a way to let you in
But I never really had a doubt
Standing in the light of your halo
I got my angel now

It’s like I’ve been awakened
Every rule I had you breakin’
It’s the risk that I’m takin’
I ain’t never gonna shut you out

Everywhere I’m looking now
I’m surrounded by your embrace
Baby I can see your halo
You know you’re my saving grace
You’re everything I need and more
It’s written all over your face
Baby I can feel your halo
Pray it won’t fade away

I can feel your halo (halo) halo
I can see your halo (halo) halo
I can feel your halo (halo) halo
I can see your halo (halo) halo
Woah…

Hit me like a ray of sun
Burning through my darkest night
You’re the only one that I want
Think I’m addicted to your light
I swore I’d never fall again
But this don’t even feel like falling
Gravity can’t forget
To pull me to the ground again

Feels like I’ve been awakened
Every rule I had you breakin’
The risk that I’m takin’
I’m never gonna shut you out

I can feel your halo (halo) halo
I can see your halo (halo) halo
I can feel your halo (halo) halo
I can see your halo (halo) halo
I can feel your halo (halo) halo
I can see your halo (halo)

Halooooo ouuuu
Halooooo ouuuu
Halooooo ouuuu
Ouuuuu ouuuuu ouuuuu

I can feel your halo (halo) halo
I can see your halo (halo) halo
I can feel your halo (halo) halo
I can see your halo (halo) halo
I can feel your halo (halo) halo
I can see your halo (halo) halo
I can feel your halo (halo) halo
I can see your halo (halo) halo