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Radiohead seamlessly merges divergent electronica with rock riffs and melodic interludes, inspiring the listener to be uplifted and reflective in equal measure. Their career highlight, 1997′s OK Computer, has been nominated as one of the greatest albums of the last 20 years.

OK Computer is the third album by the English alternative rock band Radiohead, released on 16 June 1997. Radiohead recorded the album in rural Oxfordshire  and Bath, during 1996 and early 1997, with producer Nigel Godrich. Although most of the music is dominated by guitar, OK Computer’s expansive sound and wide range of influences set it apart from many of the Britpop and alternative rock bands popular at the time, and it laid the groundwork for Radiohead’s later, more experimental work. Radiohead do not consider OK Computer a concept album; however, its lyrics and visual artwork emphasise common themes such as consumerism, social disconnection, political stagnation, and modern malaise.

OK Computer reached number-one on the UK Albums Chart and marked Radiohead’s highest entry into the American market at the time, debuting at number 21 on the Billboard 200. The album expanded the band’s worldwide popularity, and has been certified triple platinum in the UK and Canada, double platinum in the US and platinum in Australia. OK Computer received considerable acclaim at the time of its release, and has been listed by music critics and listener polls as one of the greatest albums ever recorded.

Track listing

All songs written by Thom Yorke, Jonny Greenwood, Ed O’Brien, Colin Greenwood, and Phil Selway.

1. “Airbag” – 4:44
2. “Paranoid Android” – 6:23
3. “Subterranean Homesick Alien” – 4:27
4. “Exit Music (For a Film)” – 4:24
5. “Let Down” – 4:59
6. “Karma Police” – 4:21
7. “Fitter Happier” – 1:57
8. “Electioneering” – 3:50
9. “Climbing Up the Walls” – 4:45
10. “No Surprises” – 3:48
11. “Lucky” – 4:19
12. “The Tourist” – 5:24

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Each album on the list finds a sweet spot between artistic brilliance, stylistic innovation, and cultural relevance. You could listen to the Smiths’ The Queen Is Dead hiding under a pillow fort in your bedroom (as Morrissey would no doubt prefer), or it could blow your mind in a crowded bar. Why? Because it pushes a unique vision from the margins to the mainstream (or the margins of the mainstream), reshaping both. Until someone new (a Wu-Tang Clan or White Stripes) emerges to redraw the margins all over again. These records tell us something different with every listen; even at their tiniest, they make private epiphanies feel like public events.

Spin 100 Albums 001-100

Popularity: 1% [?]